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Ronnie's credo of ``not cutting corners in live performances'' is in full swing here as well
The female backing chorus
Japan 1st December 1976]
It is a so-called rough audience recording
Jeremey Steig,Eddie Gomez/Germany 1978 Japan 2015 Ronnie's credo of ``not cuttingBill Evans heard Steig perform with the Paul Winter Sextet in Florida in 1964 and was eager to perform with him. In 1968, this goal was realized and the masterpiece ``What's New'' was born. The bass player at this time was, of course, Gomez, and Gomez and Steig used amazing techniques to perform a phantasmagoric stage performance that would be hard to believe as two people. In particular, the performance in Berlin in 1978 that I would like to declare
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